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Dever’s Amy has been out since sophomore year, she just hasn’t ever kissed a girl. Following the two goody-goods’ roundabout journey to their first (and last) high school party, “Booksmart” is an ode to female friendship that isn’t afraid to get its hands dirty.
NEW GAY MOVIES OUT 2014 MOVIE
Starring the charismatic duo of Beanie Feldstein and Kaitlyn Dever as best friends who played it safe in high school, “Booksmart” is basically the movie version of that rule-following friend who gets blackout drunk after her first Appletini. “Booksmart”Īs (actually funny) comedies become more and more rare, “Booksmart” arrived guns blazing to kick off a strong 2019 summer movie season. Here are the 35 best LGBT films of the 21st century.ĭavid Ehrlich, Kate Erbland, Eric Kohn, Michael Nordine, Chris O’Falt, and Jamie Righetti contributed to this list.
NEW GAY MOVIES OUT 2014 SERIES
'Dykes, Camera, Action!' Review: A Peppy, If Pithy History of Lesbian CinemaĮmmy Predictions: Outstanding Lead Actor in a Comedy Series While there may not be a new wave of queer filmmakers on par with the ’90s boom, in their place we got stories as complicated, sensual, soul-searching, and hilarious as the queer experience itself. There is something about the scrappy DIY aesthetic that will always be essentially queer - and the films below reflect a notable shift in the ambition and scope of contemporary queer films. No longer limited by low budgets, films with gay and lesbian stories have flourished in the first two decades of the 21st century. This has been more than a long time coming: The New Queer Cinema was a major influence on the indie film boom of the ’90s, and set the bar high for the many queer films to follow. The last few years have not only brought LGBTQ films and stories further into the mainstream, but queer films have dominated awards seasons and found commercial success in unlikely places. It was first published on August 25, 2017. That "Selma" also happens to be outrageously good makes it the year's best.This list was updated on Jin celebration of this year’s Pride month. If "Selma" were merely an important social document about King and the racial divide in America that still exists today, it would be one of the year's most important films. It's a movie that has time to stop for moments of both levity (Wendell Pierce aka Bunk from "The Wire" singing Harry Belafonte) and horror (the infamous Bloody Sunday attack on peaceful protestors), and understands that both can exist in the same world. (Carmen Ejogo shines as Coretta Scott King.) "Selma" is just so alive. Together, they create some of the year's most indelible and beautiful images, while DuVernay herself exhibits a Spielbergian skill in the way she handles scenes of domestic bliss and strife. In its structure, the comparable is "Lincoln," but the darkened backrooms of Steven Spielberg's biopic are tossed aside here by DuVernay and cinematographer Bradford Young. King), a thrilling dissection of political process and a reminder about the power of optics and strategy when it comes to mounting social change. Martin Luther King's battle to get equal voting rights for all citizens in 1965 and turns it into a lived-in portrait of a husband and father (David Oyelowo is excellent as Dr. "Selma" director Ava DuVernay, who gave the film an uncredited and necessary rewrite from top to bottom, takes the story of Dr.
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In an era of giving audiences what they want, praise to Fincher for giving us what we can debate. Like the best films, "Gone Girl" is challenging, messy and leaves more questions than answers. "Gone Girl" proved to be one of the year's most controversial films - oh, the think pieces it spawned! - but that just seems to reinforce its brilliance. The supporting cast is just as strong shouts here to Carrie Coon, Kim Dickens and, lol, Tyler Perry because Fincher decided he could literally do anything in this movie. He's matched by Rosamund Pike, as Nick's wife, Amazing Amy, who gives a performance that would have made Alfred Hitchcock nod in approval. As Nick Dunne, the bro with a wandering eye, Ben Affleck has never been better. "Gone Girl" is twisted and mean, a perverse dance between two duplicitous people who deserve each other more than most couples in the throes of true love. In translating Gillian Flynn's best-selling novel to the screen (with a tight script written by Flynn herself), Fincher has created a black comedy for the ages.
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As long as the films continue to be as good as "Gone Girl," we're cool with that. Sometime after "The Curious Case of Benjamin Button," David Fincher decided to become our preeminent director of books people read on airplanes.